Summary: Rachel Yoder’s Nightbitch is a work of magical realism about a woman who develops the bizarre habit of transforming into a dog and leaving her house to hunt small animals at night. Frustrated with the challenges of mothering her young son and the lack of support from her amiable but largely-absent husband, the “mother” (or MM––we […]
I chose Madeline Miller’s Circe to cap off my recent exploration of Greek Mythology. It didn’t grip me as strongly as The Song of Achilles, but it had its own witchy charms. It’s a first person account of Circe’s life, starting with her birth into the family of Helios, the Titan sun god. Circe is considered a nymph––not particularly powerful […]
Stephen Fry’s Troy is the third and final book I read in preparation for Ada Palmer’s upcoming finale to her magnificent Terra Ignota series. This last stop in my self-education about the Trojan War is by far the most comprehensive source I’ve consulted, but also the least enjoyable. Fry’s obvious wit and passion for Greek Mythology notwithstanding, Troy felt more like […]
The title of Madeline Miller’s retelling of The Iliad is a composite of two alternate names for the classic Greek poem: “The Anger of Achilles” and “The Song of Troy.” This careful bit of wordsmithing mirrors the nature of her project, for The Song of Achilles is a narrative blend of ancient traditions and modern values––a compassionate recasting of […]
Homer’s The Iliad plays a critical role in Ada Palmer‘s amazing Terra Ignota series, so while I wait for the last book to come out I thought it might be fun to familiarize myself with some of her source material. Knowing only the bare basics of Greek history and mythology, I found this a strange but engaging journey […]
Hey! Listen up. Let me tell you something. A man ain’t a goddamn ax. Chopping, hacking, busting every goddamn minute of the day. Things get to him. Things he can’t chop down because they’re inside. ––Toni Morrison This passage from Beloved sums up the central message of Terrence Real’s I Don’t Want to Talk About It with uncanny […]
Like Swiss Army Knives, Neal Stephenson’s novels attempt to imbue a singular instrument with a wide range of utility. These attempts have produced both elegant masterpieces and convoluted kluges, but on the whole I think Stephenson’s recent work has solidified his position as one of his generation’s most ambitious and accomplished storytellers. Fall; or Dodge […]
“A sense of doom swamped Aliena. This was to be their fate, then: Richard would avenge Father, and she would take care of Richard. For her it would be a mission of revenge, for if Richard became earl, William Hamleigh would lose his inheritance. It flashed across her mind that no one had asked her […]
“You have to laugh at the things that hurt you just to keep yourself in balance, just to keep the world from running you plumb crazy.” ––One Flew Over the Cuckoo’s Nest, by Ken Kesey, pg. 212 “Man is in his actions and practice, as well as in his fictions, essentially a story-telling animal. […]
“Greatness is a transitory experience. It is never consistent. It depends in part upon the myth-making imagination of humankind. The person who experiences greatness must have a feeling for the myth he is in. He must reflect what is projected upon him. And he must have a strong sense of the sardonic. This is what […]