Two hundred or so pages in, I had high hopes for David Mitchell’s The Bone Clocks. The novel grabbed me right from the start, showing all the signs of another brilliant yarn from one of the UK’s most talented living authors. Mitchell has a unique gift for inhabiting the minds of different narrators, and for […]
“A writer flirts with schizophrenia, nurtures synesthesia, and embraces obsessive-compulsive disorder. Your art feeds on you, your soul, and, yes, to a degree, your sanity. Writing novels worth reading will bugger up your mind, jeopardize your relationships, and distend your life. You have been warned.” ––The Bone Clocks, by David Mitchell, pg. 390
Herman Melville’s Moby Dick is one of the great records of 19th-century American consciousness. Ruminating on the concept of whiteness, Melville writes: Not yet have we solved the incantation of this whiteness, and learned why it appeals with such power to the soul; and more strange and far more portentous––why, as we have seen, it […]
“Although I too enjoyed reading, I never loved the sport of language the way Owen did. This was because to me, language had no native intelligence of its own––it was created by man and was given meaning by man, and therefore clever writing often seemed to me little more than a Chinese puzzle box of […]
American philosopher John Dewey defines art as “the living and concrete proof that man is capable of restoring consciously…the union of sense, need, impulse and action characteristic of the live creature” (Art as Experience, 26). In this sense, novels can be understood as records of imagined experience that harness a reader’s mental apparatus in order to […]
Prefatory Note: This essay constitutes a new experiment for words&dirt. I’ve recently been inspired by some of my readers, as well as an excellent interview with Maria Popova, to write a reflection on my last year of reading. Many book enthusiasts use the New Year as an opportunity to create “Best Of” lists, but I’ve […]
Joseph J. Romm’s Language Intelligence gives a brief survey of Western rhetoric, tossing classic figures like Jesus and Shakespeare together with contemporaries like George W. Bush and Lady Gaga. The book is designed to help writers “become more persuasive, more memorable, and harder to manipulate” (vii). While I think Romm achieves this to an extent, […]
Right so asking a guy like me to critique James Joyces Ulysses is like asking a blind man to critique a silent film Ive neither the know how nor the gumption to properly assess something I have little chance of understanding and would be skeptical of anyone who claimed to comprehend it comprehensively so rather […]
Neal Stephenson’s Some Remarks is a highly stimulating read from my favorite living author. This collection of essays and short fiction sheds light on Stephenson’s personal background, writing methods, and modes of information synthesis. As always, we are treated to a very special version of the world––one seen through the eyes of an author who […]
“Everything speaks in its own way.” ––Ulysses, by James Joyce, pg. 123 “A few years ago I began thinking that the bookish people of the world were becoming a little bit like medieval monks, living austere but intellectually complex lives in voluntary seclusion from a gaudy and action-packed secular world. I’ve written a novel, […]